Ben Cort, Collections Photographer, Portland Art Museum

Ben Cort graduated from Rochester Institute of Technology in 2011 with a degree in Professional Photographic Illustration and a minor in Imaging Systems. Upon moving to Portland Oregon that May, he began working as a freelance digital tech/lighting assistant in the commercial and advertising photography markets. He also began working at the Portland Art Museum where he was tasked with constructing and implementing an in-house digital photo studio, with associated workflows, processes and procedures. As responsibilities increased from the initial grant based funding, Ben came on full time in 2016 and was additionally tasked with exhibition documentation and working with Conservation to develop a conservation imaging workflow. Ben has expanded the studio’s capabilities to include UV/IR imaging, photogrammetry and RTI in addition to continually growing the traditional capture potential of the space. Ben remains committed to further developing the imaging program at PAM, and is active in several professional imaging organizations, as well as attending conferences, workshops and seminars on cultural heritage imaging.


Christopher Ciccone, Photographer & Digital Asset Manager, North Carolina Museum of Art

I have been a Collections Photographer at the North Carolina Museum of Art since 2000, and an MCN member since 2014. My current duties also include digital asset administration and I am a member of MCN’s DAM SIG. Prior to my museum tenure I worked in a variety of commercial photographic settings. Having experienced the industry transition from film to digital has given me a broad perspective on the challenges and opportunities in the field. Membership in the MCN Digital Imaging SIG has been extremely helpful to me in my profession and I am enthusiastic about contributing to its ongoing success. I’m particularly interested in encouraging more practical and technical imaging presentations at MCN conferences as well as facilitating ongoing engagement and collaboration between large and small institutions. I look forward to the opportunity to serve and will do my best to sustain the excellent leadership of our current Chairs.

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Mission Statement

The Digital Imaging Special Interest Group (DI SIG) is MCN’s prime resource for knowledge concerning the general topic of museum photography as well as the emerging field of computational imaging. The Digital Imaging SIG pools experience on workflows and best practices and the respective hardware and software involved, and makes its collective knowledge available to the broader MCN membership via SIG resources on the MCN website. The DI SIG hosts workshops and talks at the annual MCN conference covering topics of its concern, and networks with other organizations within their field.


The group communicates via MCN’s Basecamp message board, which you’ll have access to when you join this group.